Romantic literary period -- fiction
A slim volume of poetry was published in 1798; it was Lyrical Ballads, by William Wordsworth and Samuel Taylor Coleridge. The formal language of verse was gone; the subject matter changed. The effect was similar to when punk rock burst on the rock scene in the 20th century. No more gods, nymphs, or royalty; beggars, the mad, wretches, and convicts peopled Romantic poetry. Revolution was in the air, with the recent overthrow of the monarchy in France and the establishment of Swiss and Italian republics. Coleridge wrote so enthusiastically about the onset of liberty in France and elsewhere the authorities took notice, and he was watched for many years by officers of the state. Radical personal lives and politics gave their words power not seen in previous formalistic poetry. This first generation grew more conservative as they grew older, especially Wordsworth; in 1810, he and Coleridge had a falling out. A second generation of Romantic poets were beginning to write, more radical in their outlook and writings.
Author Gideon Defoe has established a successful micro-franchise with his comedic novels about the misadventures of the dim-witted yet lovable Pirate Captain, beginning with The Pirates! In an Adventure with Scientists and continuing throughout the 2000s and 2010s to the latest installment, The Pirates! In an Adventure with the Romantics. Defoe’s ridiculous tales are dominated by the presence of the Pirate Captain, a man who never found a boast too ridiculous to make, a ham too large to eat, or an amount of money too large to spend. It is this last attribute that forces him and his bizarre crew into their latest adventure. Deeply in debt, they decide to take some wealthy intellectuals on an “authentic” pirate adventure in hopes of making some quick money. Unfortunately for them, those intellectuals turn out to be Lord Byron, Percy Shelley, and Mary Godwin, and a variety of bizarre, hilarious events ensue.