Although zombies have a long history of appearances in religion and folklore, interest in them as villains in horror films is largely confined to the second half of the 20th century. The explosion in zombie popularity is based on a characterization established by a single film and the fact that the original characterization of the zombi in African folklore and religion, as well as in earlier films, is dramatically different from that of the popular characterization from the 1960s onward. To understand zombies in both their original context and in the role they have come to take in popular culture requires an understanding of two divergent traditions.
The period of time from the late 1930s to the end of the 1950s is commonly known as the "Golden Age" of science fiction. The Golden Age was noted for the volume of science fiction produced due to the large number of science fiction-oriented pulp magazines and the depth of the creative talent involved. Many of the writers working in this period established concepts that would have a tremendous cultural impact on their readers. Many ideas integral to modern science fiction frequently originated in this period. Two of the writers responsible for such ideas were A.E. Van Vogt and E.E. "Doc" Smith.
Over the course of the twentieth century, many authors have emerged to define the popular perception of science fiction. These authors have created some of the most-read science fiction works and continue to have an enormous influence on the science fiction world to this day. It is the work of these authors that has made the genre into a more diverse and critically respected field.
The most famed and prolific area of science fiction is the planetary adventure, featuring strange environments, exotic alien races, and massive battle scenes. Many of the most popular science fiction universes, such as Star Wars, Star Trek, and Avatar, take place in these environments. Most of these universes owe their existence to the adventure fiction of one author.
Let me get this out of the way: if you're not a "computer person," someone with more than a vague knowledge of computer networking technology, Brain Jack, by Brian Falkner, is probably not the book for you. If, however, you ARE such a person, Brain Jack will start off as the kind of thriller that you think you will love, but its ending, like so many other cyber-thrillers, feels rushed and absurd. Don’t get me wrong--you'll enjoy reading it, but don't expect anything too deep from this book.
Sam is the generic hero of our story. He's 17; he's a computer prodigy; and he's going to save the country from itself. The world of Brain Jack is set only a few years into our future. Falkner does a good job of building a world that, initially, is entirely conceivable based on our present. Computer technology is even more prevalent, and its consequences all the more potent. Las Vegas has been the victim of a nuclear attack that has left it in ruins, and the rest of the country is decaying under strict martial conditions.
Lists of the worst literature ever written tend toward the eclectic and diverse. Alongside such standards as James Frey’s A Million Little Pieces, Adolf Hitler’s Mein Kampf, and L. Ron Hubbard’s Battlefield Earth, people have been known to list authors as diverse as Stephanie Meyer, Dan Brown, Christopher Paolini, and even (on one list) Robert Heinlein’s Stranger in a Strange Land. Compiling a worst-of literature list is highly subjective and dependent on individual tastes, but there seems to be one thing the literary world agrees on—the horrible high-fantasy novelette The Eye of Argon belongs at the top of the list.
1989. 2000. 2012. It’s not just lately that certain years and dates have struck fear into the heart of humankind. Pretty much every year in recorded history has been predicted by someone to be the date of the end of the world. The Apocalypse. Armageddon. Our fascination with our own end can be humorous or depressing, but either way, we can’t stop dreaming, writing, and talking about it. And teens, like many of us, love reading about it.
Alastair Reynolds is a Welsh astrophysicist who writes spectacular stories and novels about the future. A future where there are several types of humans, and not all of them get along. Interstellar travel is possible; it will take a while, even on a lighthugger, traveling just under light speed. Orbital habitats form the Glitter Band above the planet Yellowstone in the Epsilon Eridani system, all doomed. They just don’t know it yet.
His Majesty's Elephant by Judith Tarr
The hue and cry outside the royal stables of the Emperor Charlemagne sounded like a battle raging to Rowan. The grooms were trying to push a gigantic elephant into one of the Emperor's old war tents, and Abul Abbas, for so the elephant was called, was having none of it.
The Stones Are Hatching by Geraldine McCaughrean
It was naked, filthy, and demanding. Phelim Green had never known such a visitor. The black and greasey Domovoy, a kitchen spirit, left its perch behind the stove to warn him... and let in all the refugee field spirits. They clattered about the kitchen, wolfing down raw potatoes and spitting the peels into the stove door.