Emily and Navin have just moved into their grandfather's abandoned house with their mother. Their grandfather has been missing for decades, so Emily doesn't think twice about picking up the necklace she finds in his library. What she has awakened though, is a gateway to a bizarre and magical world. Suddenly her mother is swallowed whole by a hideous tentacled creature and it's up to Emily and Navin to get her back. So begins the first book in the Amulet series, The Stonekeeper.
It turns out that the necklace is a powerful amulet that can control and protect any surrounding life force. Emily's grandfather's last wish was for her to take up the stone and help save this strange world, known as Alledia, from an evil elf king. Emily also receives several robots that her grandfather single-handedly constructed to help her with this mission. The first robot we meet is the pink rabbit, Miskit, who wields a stun gun while piloting a giant mechanical exoskeleton.
When you play the Game of Thrones, you either win or you die. In George R.R. Martin’s rich fantasy, King Robert of the House of Baratheon wins the game by defeating the Old Dynasty, the House of Tagaryen, but as his best friend, Eddard Stark, Lord of Winterfell’s family motto states, Winter is Coming, and things are changing. Robert was a better soldier than king so the House of Lannister threatens his power, and a civil war breaks out. Jaime Lannister fights with his brawn, and his brother, the dwarf Tyrion Lannister, with his wit.
Martin’s characters are not black and white; he goes back to Sir Thomas Malory, where even Lancelot, the role model for chivalry, has deep, fatal flaws. Stark is an honest man, yet he does not know whom to trust and endangers himself and his family. If you love fantasy combined with the Arthurian legend of knights and chivalry and an added twist of Machiavellian political intrigue, this book is for you. The magical elements of the godswoods, the dragon eggs, and the evil beings lurking the wilds of the north add an air of mystery and the supernatural to the novel.
Peter Dickinson’s The Tears of the Salamander begins with a simple gift and ends with a magical legacy. When his seldom-seen, rich Uncle Giorgio gives young Alfredo a strange present on his name day, his parents aren’t sure they want him to have it. The golden chain doesn’t have the expected cross on it—from it dangles the golden image of a strange animal—a little lizard with splayed feet and other peculiar features. Alfredo’s older brother is very jealous. He sees nothing special in Alfredo. Sure, he can sing like an angel, but that’s not much use to a baker’s boy, is it?
The local priests see Alfredo’s gift differently. They want him in their boys’ choir, and he is happy to be there for he loves to sing—but he also loves baking and hopes to follow his father into the trade. When catastrophe strikes leaving Alfredo alone and friendless, the priests urge him to join the choir permanently, and he would have done so even though it would have meant giving up a normal life. But just at the crucial moment, his Uncle Giorgio comes to take him away to reclaim his birthright—the birthright his father refused by choosing instead to become a simple village baker.