Did you know?
— She's known as Jo to her friends. No one's called her Joanne since she was a child, and only then if she was being naughty.
— Rowling is pronounced "rolling."
— Harry Potter and the Sorcerer's Stone was first published in England as Harry Potter and the Philosopher's Stone.
— Hermoine IS based on a real person — J.K. Rowling!
— The fantastic Ford Anglia featured in Harry Potter and the Chamber of Secrets is similar to one owned by Sean Harris, her best friend at Wyedean School.
In Shakespeare for Beginners, I listed various books and resources I like to use to help in reading Shakespeare’s plays. However, one of the best accompaniments to reading his plays is watching one or more of the movies or stage productions.
When I studied Shakespeare in college, one of the requirements of the class was to watch each of the plays we were studying. Although I had seen a couple of live productions, I had never seen a Shakespeare film, but since it was required, I dutifully checked out my first Shakespeare video, Richard II. I was entranced. With facial expressions, props, costumes, and even the way the actors said their parts, I was drawn into the action of the play even more than when I had read it.
When I can't get my audio learning fix from our many Modern Scholar courses, I turn to podcasts. Podcasts are audio or video-based shows available for download, streaming, or online subscription. Many of them regularly update in weekly or monthly installments, so there is almost always a new episode to catch up on or many past installments to explore.
For the past two decades, Martin McDonagh has established himself as a sensational writer of emotional disturbance and darkly funny exchanges in his Irish-set plays and crime-focused films. He may not be a household name, but that name already has an Academy Award and several Tony nominations under its belt. We have a number of his works in the collection worth recommending.
Written in the mid-Nineties, The Beauty Queen of Leenane and Other Plays offers a trilogy of stories centered around the same town and immediately shows McDonagh's gifts for cleverly inane banter and simmering tensions.
The first time I ever saw 1001 Movies You Must See Before You Die sitting on a shelf in a now defunct bookstore, I immediately seized it, plopped down on the the floor and began...counting. Yes, yes, I'm a tad obsessed. Still, to find out that there are so many worthy movies out there waiting to be viewed is so exciting. I saw the mighty tome as a map leading to vast amounts of buried treasure.
For someone who loves independent movies, it sure took me a heck of a long time to watch anything directed by John Cassavetes.
Maybe that is because I had heard how emotionally intense his films were, tapping into a vein of real life and forgoing any sense of escapism that most movies offer. Despite that hesitation, I am deeply satisfied that I took the time to watch four great films by this stalwart of early independent film, who took many menial acting jobs so he could make something great.
Shadows, Cassevetes' first film, is a defiant statement against mainstream culture, both in terms of cinema and society. It follows three African American siblings living in New York City, two of whom are trying to pass as white. The film was shot without a script, and its black and white, 16-millimeter film stock lacks the gloss of Hollywood pictures of the same year (North by Northwest or Ben-Hur for example). With its jazz score by Charles Mingus and its focus on urban youth in 1950's, Shadows is a must see for any fans of Beat writers or early independent film.
When I hear the name Terry Gilliam, the first thing that I see is a gigantic pink foot...crushing everything in its path.
That is because Gilliam was the animator for Monty Python's Flying Circus, the absurdist British comedy troupe of the 1970's that has influenced everyone from Neil Gaiman to the Simpsons. The lone American of the group did surreal collages combining Renaissance paintings, nature sketches, and meat grinders to make a strange world.
When Python's reign ended, Gilliam did not stop his creating. Instead, he launched himself from the animation desk to the director's chair where things became curiouser and curiouser.
Imitation is the sincerest form of flattery. Isn’t that how an article about derivative works is supposed to begin? We only ask because there are probably other articles out there on this topic that begin the same way. Whether or not we admit it to ourselves, 100% true originality in the case of media like books, film, music and games is practically unheard of. That’s not a bad thing; works that build on one another can be some of the richest experiences imaginable. On the other hand, some people are just lazy and rip-off other, greater works.
When the government orders him to kill a political refugee, Marcello (Jean-Louis Trintignant) agrees -- even though his target is his college mentor. Hence, he is "the Conformist," a man who will do absolutely anything to belong. Bernardo Bertolucci directs this thought-provoking drama set in 1930s fascist Italy, a visually complex character study for which he was nominated an Academy Award for Best Adapted Screenplay.
Italian with English subtitles.