Imitation is the sincerest form of flattery. Isn’t that how an article about derivative works is supposed to begin? We only ask because there are probably other articles out there on this topic that begin the same way. Whether or not we admit it to ourselves, 100% true originality in the case of media like books, film, music and games is practically unheard of. That’s not a bad thing; works that build on one another can be some of the richest experiences imaginable. On the other hand, some people are just lazy and rip-off other, greater works.
Give them pleasure. Same pleasure they have when they wake up from a nightmare.
One of the sub-genres that defined classic American crime and detective movies was film noir, a style that was pervasive in detective films of the 1940s and 1950s. Film noir arose during the post-World War II period in the United States as a generation that fought in one of the most brutal conflicts the world had ever seen returned home to a changed America where jobs were scarce and the national mood seemed darker and more cynical than during the war itself.
The blockbuster summer film, Harry Potter and the Half-Blood Prince, is making new fans and having the long-time legions of readers thumbing through their beloved collections of the Potter chronicles. Old aficionados and first-year initiates alike may delve deeper into J.K. Rowling and her world with our scintillating sources.
“The news goes on for 24 hours a day.” -Charles Foster Kane in Citizen Kane
Mae West . . .
Jean Harlow . . .
Marilyn Monroe . . .
These three actresses are part of the iconic women in Hollywood’s history known as the blond bombshells. The blond bombshells craze began when Jean Harlow (“The Original Blond Bombshell”) appeared in the appropriately titled film Platinum Blonde (1931). After the film, peroxide flew off the shelves so women could mimic Harlow’s blonde tresses.