“Shallow graves always give up their dead.” -- These Shallow Graves
In the 1890s, there was only one acceptable job for a heiress and socialite like Josephine Montford—leveraging her beauty and breeding to marry well and young. None of the teens at Miss Sparkwell’s School for Young Ladies have any goals beyond that—except Jo. She longs to be a gutsy investigative journalist like Nellie Bly. (True fact: In a day when daring careers were only for men, Nellie Bly faked mental illness to be admitted to the Women’s Lunatic Asylum, and the exposé she wrote about it changed mental health care forever.) It’s hard to imagine a dream that could be further outside the seemingly impermeable box of restrictions that Jo’s family and society have constructed for her.
Twelve-year-old Adrian is too small and sickly to be a warrior. What's more, he is an albino. Due to his pale skin and white hair, some villagers think that he is a demon. The other kids call him Badger when he puts dirt under his eyes to fight the intense glare of the sun. If everything goes according to Adrian's new plan, though, people will soon be calling him The Badger Knight.
In Rebecca Tingle’s The Edge on the Sword, Flæd tries to ignore the man who pursued her. In truth, he had been behind her for all of the day, and at night he would sit outside her door. Golden-haired Flæd was accustomed to running free in the great woods with her little brother Edward, only returning to her father's stronghold to take her meals with her family and her lessons from Bishop Asser.
Samantha Sotto’s Before Ever After is a magical, mysterious, and romantic treat. Shelley was a very locked-down person before she met up with Max, who took her and a bevy of eccentric souls on a European tour unlike any other. Stuffed into a VW microbus and crossing the English Channel, Max leads them on a truly fascinating tour off the usual path. Along the way, Shelley and Max fall deeply in love. It’s a pity it can’t last.
All aboard the greatest train known to man! The Boundless is many miles long—with 947 cars. It houses 6,495 passengers, a movie theater, a circus troupe, a captured Sasquatch, and young artist Will Everett.
Lucia is furious with her father. As paterfamilias, head of his Roman household, gladiator-trainer Lucius has chosen her rich husband for her. Lucia fumes to herself that aged, grumpy Vitulus would do very well as a grandfather--but not as her bridegroom! Their loathsome, formal dinner together is cut short by the sounds of a cracking whip and the rumblings of the Earth. Somewhere nearby a slave is being punished, Mount Vesuvius is gathering strength to explode. Vicky Alvear Shecter’s romantic novel, Curses and Smoke, is set in Pompeii's dangerous last days when anything, even forbidden love, might be possible.
Enough with the zombies, already! Before the undead purportedly trod the moors of Georgian England, it was a relatively pleasant, safe place—albeit humming with an occasional murder and talk of international intrigue. Certainly that should be quite enough to keep a heroine’s attention. Indeed when Jane Austen’s friend Isobel becomes a friend in need upon the suspicious death of her new though elderly husband, it is up to quick-witted Jane to save her life—and reputation!-- in Jane and the Unpleasantness at Scargrave Manor, by Stephanie Barron.
I admit that I have not read this book, but one of my customers just called to say that he enjoyed The Aviator’s Wife, by Melanie Benjamin, so much that he couldn’t put it down. It is the story of Ann Morrow Lindbergh. I was given Gift From the Sea, by Ann Morrow Lindbergh, as a Christmas present and was struck by the beauty of this wonderful, little book. I was immediately impressed by the tremendous intelligence and fierce independence of this famous woman. How could anyone not admire such an incredible woman who struggled to maintain her own identity with such a famous husband?
Sailor Twain is a graphic novel that is heavy on the novel half of that term. The book draws from the romantic authors of the nineteenth century, from the sirens of the Odyssey, and from the emotional and carnal explorations of modernist literature.
On a riverboat churning through the Hudson, we meet two very different men. One is the serious, contemplative Captain Twain. The other is the more freewheeling boat owner Lafayette. They are about to become ravaged by the same obsession: mermaids.