Sailor Twain is a graphic novel that is heavy on the novel half of that term. The book draws from the romantic authors of the nineteenth century, from the sirens of the Odyssey, and from the emotional and carnal explorations of modernist literature.
On a riverboat churning through the Hudson, we meet two very different men. One is the serious, contemplative Captain Twain. The other is the more freewheeling boat owner Lafayette. They are about to become ravaged by the same obsession: mermaids.
“A haunt in the wind”
That’s how Al Hoots described the small, thin filly named U-See-It who happily crunched his peppermints in the saddling shed before her big race. Al picked up such talk from his wife, Rosa, of the Osage tribe. In the newly-minted state of Oklahoma, the spring weather of 1909 saw most everybody who lived near the Chisholm Trail come out to watch the match race between little U-See-It and a big-striding mare from Missouri named Belle Thompson. Soon enough Al Hoots had traded 80 acres of land for the little filly, and she began winning races for him. That’s just the beginning of the story Black Gold, by Marguerite Henry.
In An Artist of the Floating World, Kazuo Ishiguro gracefully explores the experiences and memories of a disgraced artist living in post-war Japan. The novel is seductive and haunting, but I was also impressed by its substance and depth.
Mansuji Ono, the novel’s protagonist, was once a great artist whose paintings commanded respect throughout Japan. Following the end of World War II, however, Ono experiences a surreal displacement. From Ono’s perspective, the former order he was a part of has not only been abandoned, it has been rejected and renounced as the epitome of disaster. Instead of enjoying the power and prestige that accompanied his former reputation, Ono finds himself adrift, an aging man who wanders through a crumbling house, where all traces of his past life have been “tidied away.”