"...that’s the fun of it to create from scratch, it’s to me, it’s creative in one sense of the word. I try to make exciting books for children and of course, I do them for myself too, I put everything I have into them."*
There was a stuffed bear in a department store who was missing a button, but a little girl loved him anyway. She didn’t want a perfect companion. She wanted Corduroy. Don Freeman’s stories about the plucky bear and his friend are still treasured and shared decades after they were written. A true classic, Corduroy can found in pretty much every library and book store with space set aside for young ones.
"I think of writing--particularly of writing picture books--as a kind of choreography. A picture book must have pace and movement and pattern. Pictures and text should, together, create the pattern, rather than simply run parallel." -- Beatrice Schenk de Regniers*
Born: in Lafayette, Indiana, on August 16, 1914
Favorite writing genres: picture books, folk tales, poetry, and plays
Well-known books: May I Bring a Friend?; What Can You Do with a Shoe?; Everyone Is Good for Something; David and Goliath; It Does Not Say Meow, and Other Animal Rhymes; Little Sister and the Month Brothers
Her last name is pronounced, “drain-yay”
Education: Attended University of Illinois, 1931-33; University of Chicago, Ph.B., 1935, graduate study, 1936-37; Winnetka Graduate Teachers College, M.Ed., 1941.
Career: Member of the Eloise Moore Dance Group, Chicago, 1942-43; copywriter, Scott Foresman, publishers, Chicago, 1943-44; welfare officer, UNRRA, Egypt, 1944-46; copywriter, American Book Company, New York, 1948-49; director of educational materials, American Heart Association, New York, 1949-61; editor, Lucky Book Club, Scholastic Book Services, New York, 1961-81.
Awards: May Children's Spring Book Festival honor book, New York Herald Tribune, 1958, for Cats Cats Cats Cats Cats; Boys' Clubs Junior Book Award, 1960, for The Snow Party; Indiana Authors Day Award, honorable mention, 1961, for The Shadow Book; Caldecott Award, 1965, for May I Bring a Friend? ‘s illustrations by Beni Montresor; certificate of excellence, American Institute of Graphic Arts, for communicating with children; Brooklyn Art Books for Children citation, 1973, for Red Riding Hood: Retold in Verse for Boys and Girls to Read Themselves.
Memberships: Authors Guild, Authors League of America, Dramatists Guild, PEN, Society of Children's Book Writers.
Died: March 1, 2000, from a stroke at her home in Washington, D.C.
Jack Gantos knows that a kid can be wacky AND wonderful. Crazy things happen to kids all the time. Take Joey Pigza. He can't sit still in class, and accidents seem to be waiting to happen. He's a live wire, just like his dad and his grandmother. No matter how hard he tries, he just can't settle down. But Joey is lucky; he does have people who care about him and can help him get what he needs to be happier.
When people hear the name Ann M. Martin, they naturally think of her wildly popular Baby-sitters Club series. What was supposed to be just a four-book set turned into a 130-book saga, not counting the 120-book series for younger readers, Baby-sitters' Club Little Sisters and other spin-offs.
Why did these quick books about four very different middle-school friends take off on the bestseller lists? The secret must lie with Ann's gift for remembering her feelings throughout childhood and young adulthood. She was a babysitter herself, and a lot of the things that happened to the babysitters on the job happened to her or her friends. She also remembers what it feels like to lose a parent, have an annoying little sister, and deal with family secrets.
Do you know Karen Hesse? Her books can take you on a voyage of discovery with Captain Cook, into the Dust Bowl of the 1930s, or turn-of-the-century Russia. A sense of place has always been important to this author. She grew up very quietly in a row house and later an apartment in Baltimore, Maryland. When she wanted a place to be by herself, she had to get creative. Outside, there was an apple tree where she could sit for hours, reading and dreaming. Nearby was the Enoch Pratt Free Library, where she started with Dr. Seuss and kept on going, from picture books to chapter books to novels.
When Betsy Cromer was a young girl, someday being a famous author never crossed her mind. To her way of thinking, book writers led dull lives, shut away in some quiet room without company, just typing and typing. There was no way she wanted to live that kind of life. Yet years later, Betsy has written dozens of books. Unlike the authors she imagined, Betsy's ability to understand and work with people was absolutely essential to making her books a success.
Provensen and Provensen. Alice and Martin. Martin and Alice. Two illustrators and writers working so closely together that their styles were indistinguishable. It was the same style really, gentle drawings so delightful in their clarity that they subtly underscored the text of the dozens of children's books that they illustrated.
Paula Danziger sometimes said she wished she had had her own books to read when she was growing up. As the nerdy, clueless daughter in a family where Dad yelled and Mom just tried to make Dad happy, life was not fun. When her dad said mean things to her, Paula would tell herself that someday she would put it in a book. And she did.