Eleanor Ruth Rosenfeld (Estes) loved to tell stories to children. She began by working as a children's assistant in her hometown library, but when she became sick with tuberculosis, she spent the quiet days of her recovery writing down her childhood memories as a series of stories for young readers.
In The Moffats, a terrific family, growing up during tough times in Cranbury, Connecticut in the 1910s, face calamity when the landlord puts a "For Sale" sign on their beloved yellow house. Janey's widowed mother works as a seamstress every day to put food on the table, coal in the grate, and clothes on their backs, but there isn't enough money left to buy a home. Week after week, month after month, the kids—fifteen-year-old Sylvie, twelve-year-old Joey, nine-year-old Janey, and five-year-old Rufus—expect the worst: that someone will buy their house, and then what will happen?
Mysteries for the mind and the eye, that's what Chris Van Allsburg creates for his readers. His drawings seem quite still and perhaps a little dull-until you notice the huge snake slithering across the mantelpiece (Jumanji) or the brambles stealthily growing out of a sleeping girl's book in The Mysteries of Harris Burdick.
Pick up a handful of David Wiesner's books, and you'll get a glimpse of the kid who knew in third grade that he wanted to be an artist. But not just any artist--an artist full of fun and imagination. He remembers that there were lots of kinds of paintings he'd like to try:
"I'd have turtles with paintbrushes tied to their backs walking around on a big sheet of paper (I got chuckles from the class and the teacher). Or I'd fill squirt guns with different colored paints at shoot at the canvas. I actually tried this with friends. Well it sounded like a good idea."