Born February 13, 1932, Mr. Taback grew up in the East Bronx of New York City in the 1930s and 40s. His family was Jewish, and they had strong ties to Eastern Europe. Their neighborhood was made up of many such families who together created a community rich in the traditions of the Old Country. When he was a young boy, he spoke the Yiddish language. Although he remembered little of it as he grew older, the traditional songs, stories, and ways of life made a tremendous impact on the work of this Caldecott Award-winner. In old Poland, a village such as the one he grew up in would be called a shtetl.
Gail was a girl who loved stories. She wrote them and illustrated them from a very young age and created stories told with puppet shows to entertain her little sisters. She spent part of her childhood in the North Carolina countryside in a place called Shuffletown. Both of her parents were artists, and her father worked for the newspaper The Charlotte Observer. Visiting him at his workplace inspired her to pursue a career in art, too. She wanted to study in New York but compromised with her parents and attended schools in Virginia.
Leo Dillon was fascinated by Diane Sorber before he ever laid eyes on her. It was one of her paintings that caught his attention. For he did not know of any other student who had that deft, expressive technique. He was curious and a little jealous. He had a rival, and he knew it.
It was her third grade teacher who showed Peggy Rathmann that reading could be fun. She had spent the first two grades squinting at the blackboard, trying to make out the alphabet with her nearsighted eyes. But her third grade teacher used pictures to tell stories, and when Peggy grew up to be a famous illustrator, she made sure that her big, bold pictures were clearly outlined in black ink so the kids in the back of the class could see them clearly.
"Long, long ago, when the earth was set down and the sky was lifted up, all folktales were owned by the Sky God."
So begins an Ashanti tale, Anansi Does the Impossible!, retold by Verna Aardema. Anansi the Spider and his clever wife, Aso, use their wits to buy the folk tales for the Ashanti people. Verna Aardema spent much of her life retelling these folktales.
When David Small was, well, small, he was often sick and had to stay home from school. He would spend hours drawing and making up stories for fun to keep from being bored. He grew up in the very big city of Detroit, but he spent his summers out in the countryside with his grandparents. David was shy, but he enjoyed being with the animals on the farm, and he loved visiting museums with his parents and taking art lessons.
The Adventures of Beekle begins on an island of unclaimed imaginary friends, where each one eagerly waits to be paired up with the right child. When they are finally imagined by lonely boys or girls, they receive not only their best friends but also their names.
"This hat is not mine. I just stole it."
This is Not My Hat invites us into the mind of a tiny fish who cares nothing for his underwater brethren. The fish offers many reasons why he will succeed in his crime, why he deserves the hat over the much bigger fish he snatched it from. Obviously, we are dealing with a sociopath here.
When he was two, Paul Zelinsky’s family moved from an apartment near Chicago to a house in Kyoto, Japan. Most of the Japanese houses had walls made of paper. Though his was an exception, he does wonder if all that paper might have influenced him to become an artist. While in Kyoto, he drew the stylish and elegant geisha ladies. When they came back to Chicago, their family home overlooked a construction site, so he took to drawing tractors and steam shovels being driven by geishas!*
He kept on drawing and kept on getting better and found a market for his work after college. Through the years, he has illustrated many, many books and written some himself. Today, his life, as chronicled on Facebook, is a happy blend of family, visiting schools, and, of course, drawing!
Children’s author and illustrator Margot Zemach was born into a show business family--her father was a theater director, and her mother was an actress. Growing up, she drew imaginatively costumed characters to retell her favorite fairy stories and folktales, something she continued to do as an adult that would lead her to worldwide fame.
As she wrote in her autobiography, Self-Portrait: Margot Zemach: "I can create my own theater and be in charge of everything. When there is a story I want to tell in pictures, I find my actors, build the sets, design the costumes and light the stage. . . . If I can get it all together and moving, it will come to life. The actors will work with each other, and the dancers will hear the music and dance. When the book closes, the curtain comes down."