Born: New York City, June 27, 1928
Education: Graduated from Hamilton College, Clinton, NY, in 1950
Military service: Korean War, infantry, discharged in 1951
Family: married Carol Burrows in 1952. They had two children: Geoffrey and Andrew. Divorced his first wife and married Ida Karen Potash.
Work: worked as a magazine editor from 1952 to 1958 in New York City; also part-time trombonist at jazz clubs in Greenwich Village during the 1950s. He gave up the editing work and became a freelance writer full-time in 1958 and continues to work occasionally as a jazz musician.
Currently Lives in: New York City
First Books: Cheers, an adult book, in 1961; Battleground: The United States Army in World War II, a non-fiction children’s book, in 1965; The Teddy Bear Habit; or, How I Became a Winner, a children’s novel, in 1967.
Selected Awards: My Brother Sam Is Dead, Newbery Honor book, ALA Notable Book, Jane Addams Honor Book Award, National Book Award Finalist, Phoenix Award; War Comes to Willy Freeman, Notable Social Studies Trade Books for Young People; Chipper, Notable Studies Trade Book for Young People; Decision in Philadelphia: The Constitutional Convention of 1787, Christopher Award; Jump Ship to Freedom, Notable Social Studies Trade Book for Young People; The Making of Jazz, American Book Award Finalist.
Fe Fi Fo Fum! There are rumblings of a giant loose at the Salem Church Library. Stop by to peer into our big book and “Dream Big @ Your Library!” Jack and the Beanstalk isn’t the only classic fairy tale that you will want to check out to kick off your summer reading list. Kudos to the creators, a joint effort by the Pursel Family.
Young Fredle grows up repeatedly hearing the rules about how mice behave. Sometimes it seems like life between the walls of the kitchen is nothing but rules. One of the most important rules is that mice don’t change. But that doesn’t dampen Fredle’s curiosity and sense of adventure. Finally, his mother’s predictions come true, and his curious nature and sweet tooth get Fredle in deep trouble. And so Fredle finds himself Outside.
Witness breath-taking feats of magic using characters and plot lines from well-known books. Joe Romano's exciting production brings books to life through the art of magic and illusion. Grades K-6. Sign-up now!
Saturday, June 9: Newton Branch 10:00, Montross Branch 12:00
Saturday, June 16: Porter Branch, 10:30 and 11:30
Monday, June 18: Headquarters Library, 9:30 and 10:30
Wednesday, June 20: England Run Branch, 2:00 and 4:00
Thursday, June 21: Salem Church Branch, 1:00 and 2:00
Thursday, June 21: Snow Branch 4:30
Friday, June 22: Cooper Branch, 1:00
Wahoo Cray’s yard is a zoo, literally. That’s where his dad, Mickey, keeps all of their animals, including pythons, monkeys, and an alligator named Alice. Mickey is the best animal wrangler in Florida...or he was until he got hit on the head by a frozen iguana. Since then he hasn’t been able to work. Money is so tight that Mickey accepts a job offer from the Expedition Survival TV series with Wahoo as his assistant. Things get off to a bad start when the show’s bumbling but egotistical star, Derek Badger, gets bitten by a snapping turtle and then an alligator. And that’s before he even leaves the safety of the Cray’s yard in Chomp by Carl Hiaasen.
As the sun sets, the animals in the farmyard should be settling down for the night. But in Lindsey Craig’s Farmyard Beat:
“Chicks can’t sleep. Chicks can’t sleep.
Chicks can’t sleep
‘cause they got that beat.”
And so begins a toe-tapping dance party where each animal’s noisy contribution to the beat wakes up another. The chicks go peep and wake up sheep. Cat’s purr and meow wake up cow. The racket grows until it is so loud that Farmer Sue comes to investigate the noise. Of course, she joins in and the entire farmyard dances to the beat until they “fall in a heap. Asleep.”
When it first appeared in 1963, Maurice Sendak’s Where the Wild Things Are didn’t look like or read like any other children’s book out there. It was full of mystery and wonder--and Wild Things with attitude, including the King of all Wild Things, our hero Max.
But Max of the wolf suit wasn’t originally supposed to voyage to the Land of the Wild Things. He was first scheduled to be visiting the Land of the Wild Horses--which was how the book was planned and given to Maurice Sendak to write and illustrate. The problem was, the author/illustrator did not know how to draw horses. So his editor let him change them to Wild Things, a take on the Yiddish phrase "Vilde chaya,” meaning boisterous children.* This changeover was magic.
Leo Lionni was born into a family that appreciated art, and, from a very young age, he knew he wanted to be an artist. He loved nature and started keeping small creatures--minnows, birds, fish, and more--in his attic room in Amsterdam. He also created terrariums, and many of these natural details found their way into his later work. Like so many successful children’s authors, Leo Lionni was able to remember and tap into the things that were important to him when he was a child.
As his interest in drawing grew, he was mentored by his Uncle Piet, who was both an architect and an artist. Leo was very lucky to live just a few blocks from two wonderful museums. Further, as a child he had a special pass so he could go there to draw whenever he wished. He learned to draw details from great works--plaster casts of famous statues, and they made such an impression on him that many decades later he could still remember them perfectly, as he could with clarity recall so much about his tiny pets and naturescapes.
What would you do if you discovered that you could read other people’s thoughts?
It’s not bad enough that Callie Anderson has to get glasses just before the start of middle school, but they are the ugliest glasses she has ever seen. Yet those huge, geeky lenses and fat black frames hide a secret. These glasses show Callie what other people are thinking. Maybe they will actually help her. And she can use all of the help she can get. She’s lost in math and Spanish classes. Her best friend seems to be drifting away. And her parents’ marriage is falling apart. But can Callie follow the eye doctor’s instructions and learn to use the glasses wisely?
"I won't describe what I look like. Whatever you're thinking, it's probably worse."
August Pullman has a face that only a mother could love, only his mother to be exact. The main character of R.J. Palacio's book Wonder has an extra large forehead. His eyes are much lower than they should be. His mouth always hangs open and his ears are underdeveloped and cauliflower-shaped. What people do not know when they look at August is that they are seeing a very smart, funny, and capable young man.