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Maggie’s new stepfather gives her the creeps. Not only is he short and hairy and definitely not her Dad, but he speaks with a strange accent and spends most of his time in a shed doing who-knows-what. True, it is not his fault that he cannot replace her dead father, and her mother seems to really, really love him, but somehow that only makes worse the Shadows that follow him everywhere—dozens of them that no one else seems to see.
Why We Broke Up is by Daniel Handler and features art by Maira Kalman, and both elements elevate it above your average high school romance novel.
Min has just left a box on Ed's doorstep. The box contains the pieces of evidence of their brief relationship, as well as letters explaining each piece's importance.
Eel’s early morning spent scavenging on the Thames River as a “mud-lark” brought a few things to the surface. There was a nice piece of copper, but he had to give that over to one of the stronger mud-larkers, a kindly blacksmith turned to this low way of making a living. But he did come away with two valuable things—or at least valuable to him. One was a half-drowned cat, thrown into the river by a bully boy. The other was a word of warning from the old blacksmith. Fish-Eye Bill was looking for him again, he said. A year Eel had spent in an easier life, getting his schooling, working two jobs and staying away from places he might be seen by Bill’s crew. It sounded like the makings for serious danger. Though in Deborah Hopkinson’s The Great Trouble, Eel’s problems are only beginning.
Calamity came to Earth ten years ago in the book Steelheart, by Brian Sanderson. David was eight years old when the entire planet was changed by Calamity and the Epics were created. The Epics were ordinary folks who gained superpowers and were transformed into super villains.
Hawkeye: My Life as a Weapon doesn't have the slick visuals or bright colors that you would normally imagine a member of the Avengers getting. Nor does it offer a conventional superhero storyline. Clint Barton, a master archer, was created by Stan Lee in 1964. Writer Matt Fraction is breathing life into him by contrasting him with all of those other super-powered heroes.
If I Ever Get Out of Here centers around Lewis Blake, a Native American teenager in a gifted junior high program. Lewis might be academically successful, but he has no friends. All his white classmates don't have much to say to Lewis, and all of the kids from the reservation are just in the regular classes.
It is 1976, and living outside of Buffalo, New York, Lewis wonders if the area's teachers are going to be surprised when they find that the Native American kids are not that excited about the country's Bicentennial celebration. His family has called this land "home" for much longer than a mere two hundred years.