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Eel’s early morning spent scavenging on the Thames River as a “mud-lark” brought a few things to the surface. There was a nice piece of copper, but he had to give that over to one of the stronger mud-larkers, a kindly blacksmith turned to this low way of making a living. But he did come away with two valuable things—or at least valuable to him. One was a half-drowned cat, thrown into the river by a bully boy. The other was a word of warning from the old blacksmith. Fish-Eye Bill was looking for him again, he said. A year Eel had spent in an easier life, getting his schooling, working two jobs and staying away from places he might be seen by Bill’s crew. It sounded like the makings for serious danger. Though in Deborah Hopkinson’s The Great Trouble, Eel’s problems are only beginning.
Calamity came to Earth ten years ago in the book Steelheart, by Brian Sanderson. David was eight years old when the entire planet was changed by Calamity and the Epics were created. The Epics were ordinary folks who gained superpowers and were transformed into super villains.
Hawkeye: My Life as a Weapon doesn't have the slick visuals or bright colors that you would normally imagine a member of the Avengers getting. Nor does it offer a conventional superhero storyline. Clint Barton, a master archer, was created by Stan Lee in 1964. Writer Matt Fraction is breathing life into him by contrasting him with all of those other super-powered heroes.
If I Ever Get Out of Here centers around Lewis Blake, a Native American teenager in a gifted junior high program. Lewis might be academically successful, but he has no friends. All his white classmates don't have much to say to Lewis, and all of the kids from the reservation are just in the regular classes.
It is 1976, and living outside of Buffalo, New York, Lewis wonders if the area's teachers are going to be surprised when they find that the Native American kids are not that excited about the country's Bicentennial celebration. His family has called this land "home" for much longer than a mere two hundred years.
In Long Lankin, by Lindsey Barraclough, it’s 1958, and Cora and her small sister Mimi have been taken from their London home and dumped in the middle of the English marshes where something is waiting for them.
Daisy Kutter: The Last Train follows a feisty female trying to be on her best behavior. Ms. Kutter runs the town general store, but she was always most at her element when committing train robberies and other such deeds.
She may be trying to be a good girl at the beginning of the story, but we all know that old habits die hard. When she's asked to come out of retirement to rob one last locomotive, the offer sounds too good to be true.