Shelf Life Blog
In Every Day, David Levithan creatively reinvents the familiar saga of star-crossed romance. The relationship at the novel's core is predictably fraught with tension and angst, but a significant twist transforms the entire scenario: one of the participants isn't actually a physical person, but exists as an intangible entity that inhabits a different body each day.
The entity known as A has no gender or corporeal presence, nor can it control which body it will occupy next. There are several restrictions that govern A's movements, however. A is never in the same body twice, inhabits hosts that match A's own age, and lingers in a geographical area as long as there are eligible bodies for it to occupy.
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Mister Pip by Lloyd Jones: On a copper-rich tropical island shattered by war, on which survival is a daily struggle, eccentric Mr. Watts, the only white man left after the other teachers flee, spends his day reading to the local children from Charles Dickens's classic "Great Expectations."
If you enjoyed this book's portrayal of teachers in the learning process of reading and its connection to classic literature, here are some other titles you may enjoy:
The Book Thief by Markus Zusak
Trying to make sense of the horrors of World War II, Death relates the story of Liesel--a young German girl whose book-stealing and story-telling talents help sustain her family and the Jewish man they are hiding, as well as their neighbors. (worldcat.org)
Great Expectations by Charles Dickens
This book traces the coming-of-age of a young orphan, Pip, from a boy of shallow aspirations into a man of self-possession. Raised by a humble blacksmith, Pip is recruited by the wealthy Miss Havisham to be a companion to her ward, the cold but beautiful Estella. There, Pip learns to despise his rough origins as Estella torments him about his low prospects. When Pip is informed that an unknown benefactor expects to make him his heir, he sets off to London to realize his "great expectations." But true gentleman stature, he will find, is a matter of character, not fortune. (catalog description)
The English Monster, by Lloyd Shepherd, blends two stories of horror—one short, sharp, and bloody while the other is a slow unraveling of a man’s conscience.
October, 1564: A handsome young man, just married and very much in love, travels a dangerous path to the port of Plymouth, England, where he hopes to find a berth on a ship bound for adventure, but more importantly, riches to make their new life together secure. It is try and succeed or fail and never return for William Ablass. His letter of introduction earns him a place on board Captain Hawkins’ vessel where he becomes shipmates and friends with Francis Drake, later “El Draco,” the terror of the Spanish fleet. Their adventures succeed in turning a golden profit but at a very dark cost.
This is a love story. This is a story about what makes us human. This is a story about reaching for the stars. Lydia Netzer’s poetic narration in Shine Shine Shine transports us to the Moon.
We meet Sunny Mann living in an immaculate Georgian house in a perfectly geometrically gridded neighborhood in Norfolk, Virginia and hosting a get-together with her girlfriends. She is perfectly manicured and coiffed and dressed in cute maternity wear, as she is pregnant with her second child. The ladies gossip about Les Weathers, the perfect news anchor, who lives nearby. The girls chat about Sunny’s brilliant and rich but odd astronaut husband, Maxon, who is on a rocket on the way to colonize the moon. Sunny is embodiment of the well-off suburban stay-at-home mom, including the silver minivan.
Marian Caldwell has it all. She’s the producer of a critically-acclaimed TV show. She’s deeply in love with Peter (a powerful player in the entertainment world), who also happens to reciprocate her feelings. She’s gorgeous, lives in a penthouse with stunning views of NYC and never thinks twice about dropping big bucks for haute couture. But in Emily Giffin’s latest novel, Where We Belong, Marion is harboring a secret she’s kept for eighteen years.
Despite being thought of primarily as an author of adult-oriented literature, Neil Gaiman has published several young adult titles over his career, including MirrorMask, M Is for Magic, and The Books of Magic. One of his best loved YA titles was Coraline, published in 2002. Coraline’s imaginative plot, memorable characters and evocative illustrations by Dave McKean made it a modern classic of YA literature, and an excellent film adaptation was released in 2009. Gaiman’s The Graveyard Book follows in the footsteps of Coraline and presents another vivid journey into a richly imaginative fantasy world.
It can be difficult for some modern audiences to remember at what point in American history science fiction began to be taken seriously as a subgenre. Many works are credited as early classics of “serious” science fiction, from Arthur C. Clarke’s Childhood’s End to Isaac Asimov’s Foundation series, but they are all predated by A.E. Van Vogt’s thriller Slan, originally published in 1940.
Here’s all you need to know: not since Neil Gaiman’s brilliant Sandman series have a I found a work of graphic fiction to be so engrossing and moving as I find Joe Hill and Gabriel Rodriguez’s Locke and Key to be. Joe Hill’s story and Gabriel Rodriguez’s art come together in a way that I’m not certain any other collaborative comic project will be able to match. If you like brilliant, emotional, and very dark, creepy storytelling at its finest, you must start reading Locke and Key right now.
Deo and his brother Innocent live in a village in Zimbabwe. One day when they are outside in their village playing soccer, trucks with soldiers aboard arrive armed with guns. In the book Now is the Time for Running by Michael Williams, an ordinary day that started with soccer games with friends ends with tragedy and carnage. Deo and Innocent are the only surviving members of their village. Everyone else has been murdered by the soldiers. The brothers must secretly leave the village and try to find safety elsewhere. The brothers manage to escape only after Innocent convinces Deo to go back and retrieve his "Bix box" that contains all his prized possessions. Deo has his soccer ball which is stuffed with money.
Deo and Innocent must make their way to South Africa where they can work, go back to school, and find their father. The only clue they have to his whereabouts is a crumpled picture of him standing in front of a truck with a phone number on it.
In the United States, the word “wedding” tends to evoke certain associations. The mind automatically regurgitates images absorbed from films, commercials, and magazines: a glowing bride ensconced in layers of delicate white fabric gliding among tables festooned with elaborate decorations, decadent food, and thousands of dollars worth of fresh-cut flowers. In this fantasy, money is no object, happiness is guaranteed, and future contentment seems likely. But how did such an extravagant, illogical vision become normative? Why are weddings consuming people's lives and bank accounts to such an extreme degree? These are the questions Rebecca Mead explores in One Perfect Day: The Selling of the American Wedding.
As Mead describes her excursions to bridal shows, wedding planner conventions, Aruba (a popular locale for destination weddings), and a Chinese factory that mass produces bridal gowns, she both contextualizes and deconstructs the fantastical visions of beauty and perfection which generally dominate our sense of the American wedding. Even if you aren't planning a wedding, it's difficult to avoid the current glut of wedding-themed media. Wedding cake decorators feature prominently on TV shows that compete with Say Yes to the Dress and A Wedding Story. Each year it seems more and more books and magazines are dedicated to offering advice on how to fully enjoy an ice sculpture center piece or perfectly match the flower girl's shoes to the bride's sister's earrings.