Shelf Life Blog
This readalike is in response to a patron's book-match request. If you would like personalized reading recommendations, fill out the book-match form and a librarian will email suggested titles to you. Available for adults, teens, and kids. You can browse the book matches here.
Clan of the Cave Bear by Jean Auel: "A vivid evocation of prehistory in which an orphaned child finds refuge with a tribe of prehistoric humans who regard her as a deformed oddity rather than as a step up the evolutionary ladder."
If you enjoyed the attention to anthropological detail and history in Clan of the Cave Bear, here are some other titles you may enjoy:
Reindeer Moon by Elizabeth Marshall Thomas
Yanan, the headstrong heroine living near Woman Lake in Siberia twenty thousand years ago, recounts her life and her spirit journeys where she takes on the form of an animal. (worldcat.org)
People of the River by Kathleen O'Neal Gear
With the corn crop failing and the Cahokia Chief's lust for tribute growing, a war chief and the warrior woman he loves look to the gods for a sign of hope for their people. (worldcat.org)
If only I had read I'd Really Like to Eat a Child when I was small, life would have been so much easier.
This is not because I fell victim to some carnivorous beastie that could only be satisfied with devouring yours truly--though once I was surrounded by a ferocious herd of petting-zoo goats. Rather, I might have understood the importance of eating whatever my parents told me to.
I am a former picky eater. Fruits and vegetables were not my bag, and hot dogs reigned supreme. One time I even threw a stuffed pepper out the window. Fortunately, time has passed, and I began to appreciate the foods that I once avoided. But I know how the little crocodile Achilles feels when he rejects his parents' meal of freshly-picked bananas. "Today, I'd really like to eat a child."
Being a fan of the horror genre can be frustrating--living in a world filled with bad Hollywood remakes of great classics and series more focused on torture and gore then actually scaring anyone. So, when I picked up Ghost Road Blues, by Jonathan Maberry, I hoped it would give me that old school horror fix I’d been craving since my childhood and young adulthood spent watching the horror films of the seventies and eighties, and let’s just say I was not disappointed.
Ghost Road Blues is a story that takes place in the small town of Pine Deep, Pennsylvania, which just so happens to have the biggest Halloween celebration in the country. However, things weren’t always this commercial and light in the town which also happens to have a dark past, a serial murderer who ravaged the town before getting brought to justice, in a six-feet-under kind of way. As the festivities roll in for this year’s Halloween, their past is coming back to haunt them, and not all the monsters walking around town are working at the haunted hayride. Now, the citizens of Pine Deep have to work together to stop those trying to resurrect an ancient evil who will finish what he started thirty years ago.
On the surface Gone Girl reads like a whodunit thriller, and it makes a great summer read--but it’s also a literary novel in disguise with its imagery of a landscape of an economic wasteland, the characters’ moral bankruptcy, and its themes of identity and marriage. It’s been the book of the summer for me.
On their fifth anniversary, Nick Dunne comes home, and his wife Amy is gone. The initial crime scene: an open door, the ottoman turned over, broken glass, and the iron left on. Instead of beginning with “boy meets girl,” the plot starts with “boy loses girl.” Detectives arrive and the media circus begins.
Told in alternating he said/she said chapters, we learn the back story of Nick and Amy. Gilliam Flynn throws her readers red herrings with sneaky abandon. I found myself shifting loyalties back and forth from Team Amy to Team Nick and then being horrified and guiltily fascinated with both of them.
Vee Bell has narcolepsy in Slide by Jill Hathaway. Or at least that’s what her family and friends think. Once, Vee tried to tell her father the truth, but he sent her to a shrink who didn’t believe her either. Now she doesn’t even dare tell even her best friend.
Sliding. That’s what Vee thinks of it as. When she gets too tired to fight it, she falls asleep, but doesn’t dream. Instead, she enters other people’s minds. She can hear, smell, taste, and feel everything that they’re experiencing. Sliding only lasts for moments, but it is long enough to exhaust and sometimes scare her. She’s slid into backstabbing friends and teachers behaving badly. As a result, Vee takes constant caffeine pills to stay awake and is always just barely functioning.
Chloe and the Lion is not about a young girl facing off with a ferocious feline, no matter what the title says. Sure, Chloe's present, saving up her nickels and dimes to ride the merry-go-round. She does, in fact, spin around that ride so many times that she gets dizzy and lost in the nearby woods. It is at that very point that Chloe should meet a lion. Instead, a large, ferocious, winged, burgundy dragon steps out.
Writing a picture book is hard work. You must have a solid story, likable characters, and the right choice of words. What's more, this delicate balance can be completely thrown out of whack by a maverick illustrator who thinks that "a dragon would be cooler."
In Train Dreams, Denis Johnson constructs a melancholy portrait of the U.S. frontier. Instead of focusing on the raw potential and opportunity most associate with the Western expansion, Johnson elucidates the isolation and stasis involved in “taming” a wild place. Johnson artfully constructs a non-linear account of Robert Grainier’s life on the frontier. Through Grainier’s perspective, we witness the rapid transformation of America – from railroad construction to the proliferation of sleek highways; from influenza epidemics to a random encounter with Elvis Presley. Despite the changes going on around him, Grainier remains a lonely outsider, observing the world’s expedited evolution from a distance.
History, particularly popular history, need not be dull, something that Cormac O’Brien demonstrates readily in his book, The Forgotten History of America. Written in a conversational tone and broken into vignettes, old history is made new when written this way. Even so, it’s not the standard stuff taught in schools. It’s about wars and both sides in those wars, reaching back to the country’s colonial beginnings in the 16th century. With personalities writ large on both sides and a good understanding of the differences in modern and historical society, O’Brien leads his readers on journeys back in time:
It begins with the first permanent European settlement in North America:
Pedro Menedez de Aviles anxiously paced the deck of his flagship, San Pelayo. Two days earlier, off the coast of Florida, he had gone ashore and met with Indians who offered valuable information about the prey he was desperately seeking. Now, confident of success, he led his five vessels northward along the coastline, scanning the beaches for any sign of European settlement. The day was September 4, 1565, and Menendez was hunting heretics.
Bitterblue takes place eight years after the end of Kristin Cashore’s earlier novel, Graceling. At the end of that book, ten-year-old Princess Bitterblue became Queen of Monsea upon the death of her father, the vicious psychopath, King Leck. Bitterblue is still trying to help her country recover from the trauma of her father’s 35-year reign of terror. Leck held the kingdom in thrall by controlling people’s thoughts, changing their memories so they always believed he was a kind and caring ruler while he really terrorized the citizens. Because of her youth, Bitterblue has relied heavily on her advisors who promote what they call a forward-thinking agenda. They urge her to pardon everyone for any crimes committed during Leck’s reign and encourage everyone to simply forget that anything bad happened.
Over in the ocean
Far away from the sun
Lived a mother octopus
And her octopus one
In Over in the Ocean: In a Coral Reef, Marianne Berkes adapts the classic song, “Over in the Meadow,” to life in a coral reef. This counting rhyme explores ocean life from stingrays to puffer fish to seahorses. This engaging picture book invites interaction on many levels. The fun counting song includes many factual details about the coral reef habitat and the animals that live there with their babies. Whether they are squirting, puffing, jumping or skittering, the actions of each creature accurately reflects their real-life behavior.