Mystery & Thrillers
Hamish Macbeth, lay-about but ultimately effective policeman of the Scottish village of Strathbane, believed that he was very close to achieving his heart’s desire. The cool and lovely Priscilla had agreed to be his bride!
“Lovecraft. His tales are just fiction...right?”
Daniel Carter used to be a homicide detective. That is, until his previous case—an intense hunt for a serial killer that ended in strange and belittling tragedy. Now, he’s a private investigator, trying to get his once simple life back on track. Forgetting what happened is not so simple, however, and Carter struggles to regain his natural ability for helping others.
And strangeness. Well, let’s just say, it’s not entirely done with him yet.
He: likes foxhunting on his fine stallion Mephistopheles, whiskey & soda, but above all else, cricket. His form is handsome and athletic. His mind uncluttered with much in the way of philosophy or common sense.
She: enjoys fashion, researching/knowing everything, and breaking men’s hearts. Well, she doesn’t really like it. Simply an occupational hazard when one is such a beautiful breath-sapper. But what this to-the-manor-born brother and sister like most is solving murders. To catch the “coffinators” is their aim.
No. 7 Ocean Drive is just like any other handsome, well-to-do Hamptons McMansion. With its grand arches, towering peaks, and high windows, No. 7 is every tourist’s dream.
At least, that’s what it looks like from the outside.
After reading CRRL librarian Joy O’Toole’s great write-up on Agatha Christie, I thought I’d give one of her series a try. I’m not sure why I had been avoiding them. I like British stuff, historical novels, and mysteries. But what I had glimpsed of Inspector Poirot and Miss Marple did not immediately grab me. I decided to try one of her lesser-known series, Partners in Crime, which starts with The Secret Adversary.
Friends since childhood, charming, young, and starving Tommy and Tuppence meet at a London tea shop to catch up, only to discover that they both face the same problem—chronic unemployment! In London after the Great War, there aren’t a lot of jobs to be had, so for the price of an advertisement in the newspaper, they decide to create The Young Adventurers, Ltd., a firm that will take on very nearly anything.
In Adam Johnson’s The Orphan Master’s Son, Jun Do works for the government of “the most glorious nation on earth” as a professional kidnapper. This isn’t a science fiction dystopia, but rather it is a raw, searing novel concerning one man’s life under a regime that crushes its citizens, body and soul.
Jun Do doesn’t know his real name. Like his fellow orphans, his was chosen from a list of North Korean war heroes. There is decency to Jun Do, even as he surmounts a horrific childhood only to realize that he (and everyone else) exists primarily for their usefulness to the state. But Jun Do has ambitions.
For those of us who enjoy reading murder mysteries in a historical setting, a series written by Charles Todd is the perfect match. In the first book, A Test of Wills, we meet Ian Rutledge, who is returning to Scotland Yard for the first time after spending four years at the front and several months in a hospital for shell shock. Before the war, Rutledge had been a gifted and up-and-coming inspector with a flair for solving murder cases. Now, he often hears the voice of Hamish MacLeod, one of his men who died in the trenches of France. Hamish sarcastically comments on everything Rutledge is doing from a point behind his shoulder. Rutledge doesn’t dare turn around for fear of seeing Hamish in the flesh.
In Georgette Heyer’s The Unfinished Clue, it becomes evident that whilst some marriages end happily, others end in murder. Sir Arthur Billington-Smith was dead, and he probably deserved it. He had been chuffing and harrumphing at his male guests, leering--and perhaps a bit more--at the female ones, all the while being quite revolting to his wife.
Aren’t English country house parties entertaining? Well, they are when penned by a master craftsman such as Georgette Heyer. Her thoroughly modern (for the early twentieth century) heroine Dinah, sister to the beleaguered soon-to-be widow, has a clever wit and no intention whatsoever of being set down by her blowhard brother-in-law.