History & Politics
Excerpt from War So Terrible: A Popular History of the Battle of Fredericksburg, by Donald C. Pfanz, (pp. 44-46)
Donald C. Pfanz is staff historian with Fredericksburg and Spotsylvania National Military Park. He is also the author of Abraham Lincoln at City Point and Richard S. Ewell: A Soldier’s Life. This chapter is reprinted on CRRL's history site with his permission.
“The Sacking of Fredericksburg”
By the time the fighting ended on Dec. 11, Fredericksburg was desolate. Fighting in the streets combined with a bombardment by more than 180 cannons had left the venerable old town shattered and ruins. Those citizens who had not fled Fredericksburg had seen their homes riddled with bullets, shot and shell.
James Wallace McGinly visited the Central Rappahannock region several times. Nothing unusual about that -- except that McGinly visited in 1862, 1863 and 1864; he was wearing a blue uniform at the time; and he recorded the details of his visits in a diary.
CRRL has been given a photocopy of that diary, thanks to Edward G. Nix of Illinois. It will be cataloged, and placed in CRRL’s Virginiana Collection.
It’s been said an army travels on its stomach, and though many of the starving Confederate troops at the war’s end were still willing to fight, ultimately it was a physically broken army returning to their devastated, burned out farms that sounded the death knell of the nascent nation, so contends gastronomical historian Andrew F. Smith in his recent book, Starving the South.
If you’re in the mood for a harrowing reality check, Neil Postman’s Amusing Ourselves to Death is the antidote to your craving. Postman’s revelatory book was initially published in the 1980s, but his exploration of America’s preoccupation with entertainment is still sharp and pertinent. And it has retained its power to make us re-think the role of technology in our everyday lives.
Throughout Amusing Ourselves to Death, Postman questions how the content of our culture has been radically altered by the emergence of new media. As he states, “our notions of truth and our ideas of intelligence have changed as a result of new media displacing the old.” The assertion that cultural practices and technologies constantly influence and respond to one another might seem like a value neutral observation, but as Postman delves deeper into his analysis, it becomes obvious that he views the shift from the Age of Exposition (text-based communication) to the Age of Show Business (image-based communication) as a profoundly problematic and troubling phenomenon.
She was an educated daughter of the privileged class—granddaughter of two of Iraq’s heroes from its pre-Saddam era. A successful journalist and later owner of a printing business, she seemed to live a more charmed life than most of Iraq’s citizens. But as the door of the women’s prison closed behind her, leaving her virtually entombed, she realized that her sense of security had been nothing more than an illusion, and as one prisoner after another was dragged away to be tortured, she understood the true horror that underlay her world. Mayada: Daughter of Iraq: One Woman’s Survival Under Saddam Hussein is her story as shared with fellow writer Jean Sasson.
The first eighteen pages of The Smoothbore Volley That Doomed the Confederacy, by Robert K. Krick, are reprinted here with permission from the author and publisher, Louisiana State University Press, which retains all republication rights. Library copies of The Smoothbore Volley are available for check-out.
Nineteen men in two distinct groups rode forward from the coalescing Confederate lines west of Chancellorsville at about 9:00 P.M. on May 2, 1863. Only seven of the nineteen came back untouched, man or horse. Although one of those nearest the offending musket muzzles, Major General A. P. Hill escaped among the unscathed handful. Lieutenant General Thomas J. “Stonewall” Jackson, among those farthest from the flash point, was one of the five men killed or mortally wounded. The capricious paths of a few dozen one-ounce lead balls caroming off the dense shrubbery of Spotsylvania’s Wilderness that night had much to do with the course of the Civil War.
From every imaginable perspective, the afternoon of May 2 had been a stunning Confederate success of unprecedented magnitude. Lee and Jackson had crafted between them a dazzling tactical initiative that sent Stonewall covertly all the way across the front of a Federal army that outnumbered the southerners by more than two to one. The redoubtable corps commander managed the remarkable march without serious interruption, arrayed his first two divisions in a wide line, and descended upon the Federals like a thunderbolt. Those northerners who rallied bravely against the tide faced an inexorable outflanking by the outriders of Jackson’s line, who stretched far beyond the center of the attack in both directions. In this fashion Jackson routed one Union corps, trapped another out of the line, and left the others shaky, uncertain, and vulnerable to be stampeded.
Her wit is as dry as a whisper in a mummy’s tomb when she describes the life of a citizen of old Egypt from the squalling dawn of his existence to his final preparation for the afterlife. But for all her panache, in penning Red Land, Black Land Barbara Mertz has created no gripping historical romantic suspense novel—although she’s written many of those, too.
You may know this author better as Elizabeth Peters, she of the Amelia Peabody mystery series, or by her other nom de plume--Barbara Michaels. Yet Barbara Mertz is her real name, and it’s under that identity that she earned a doctorate in Egyptology from Chicago’s famed Oriental Institute some decades ago.
On Wednesday, September 7, 2011, at 7 p.m., Robert Hicks -- noted Civil War author and preservation activist who wrote the best-selling novel, The Widow of the South -- will tell the story of Franklin, Tenn., and how a community came together to preserve a battlefield and transform the heritage tourism industry in Middle Tennessee.
Hosted by the Central Virginia Battlefields Trust, this talk will be held at the Fredericksburg Country Club, 11031 Tidewater Trail. It is open to all ages, and there is no cost to attend. Call (540) 374-0900 for more information on this event.
But not ON the beach: pages oily from suntan lotion; wind and sand. Nah, bad for paper. Watching pelicans cruise over the waves is preferred. Knowing we would hit the Beach Book Mart, a bookshop in Atlantic Shores with an interesting historical selection, I packed two books. One of those plus two of the three store-bought titles had a thread: Italy.
First down the chute is Norman Douglas’ Siren Land, a memoir of Capri and the Sorrentine Peninsula. Two previously read authors, Paul Fussell and Elizabeth Davis, quoted and discussed Douglas, and the library owns the title. I found his prose dense, witty fairly often, even had a couple funny bits. It is more than a travelogue: it is learned and chatty. Emperor Tiberius was the first famous Roman to retire to Capri; his stay is touched on. Douglas includes stories of saints, a single thread of the story of these siren lands. History and biology of the sirens is knocked off in the first couple of chapters, followed by a wandering over the land, a boat ride or two, and an island full of fleas...with gossip, lore, architecture, history, and memorable characters.
Most people know David Byrne as a musician, with the Talking Heads and as a solo artist. In his three-decade career, Byrne always managed to incorporate a diverse collection of international influences in his sound. In Bicycle Diaries, he has found an equally engaging role as a worldwide cultural critic. The book is much more than a travelogue though. It is a grand celebration of how people live, observed from the seat of a two-wheeler as it whisks through city streets worldwide. It is made up of meditations on art, politics, architecture, and so much more.
When biking through a city, one is more agile than a car, faster than a pedestrian, and taller than anything that isn't a Hum-Vee or on horseback. You see details that others can not, providing a wholly unique perspective of how this particular city works.