unRequired Reading Blog
There was a considerable gap between the releases of The Empire Strikes Back and Return of the Jedi in the early 1980s. During that time, the expanding Star Wars fan base began to wonder what was happening to the characters in the meantime. What worlds did Luke, Leia, and Han visit? What schemes did Darth Vader plot to destroy the rebellion? Did Chewie ever get a decent flea bath? Two of these three questions are answered in Archie Goodwin’s The Rebel Storm (Classic Star Wars Volume Two), an anthology of comics originally published between 1981 and 1984. Although sometimes marred by a sense of discontinuity with Lucas’ universe, the best stories in this anthology deserve a place in Lucas’ galaxy far, far away.
If King Dork's cover seems vaguely familiar, that's because it looks like a defaced copy of The Catcher in the Rye. The title and its author Frank Portman are scrawled in ballpoint pen with a blatant disregard for the granddaddy of all coming-of-age novels.
This sums up how Tom Henderson feels about Salinger's classic novel. He notices a Catcher cult amongst most adults, who sing the praises of the book changing their lives. Tom thinks all of this is, to borrow a phrase from Holden Caulfield, "phony," but a particular copy of the book is about to turn his world upside down and inside out.
How They Croaked begins with a clear warning: "If you don't have the guts for gore, DO NOT READ THIS BOOK." They are not kidding.
American icon Billy Joel once sang, "Only the good die young," but before modern medicine, almost everyone died young. The only difference was whether it was quick or slow and gruesome. Infections, malaria, gout, and tuberculosis were pretty common ways to go. King Tut, Christopher Columbus, Pocahontas, and Edgar Allan Poe were victims of such illnesses.
The Vera Dietz of Please Ignore Vera Dietz is smart, hard-working, and haunted by the ghost of her best friend. Well...ex-best friend if you want to know the truth.
The Adventure Time Encyclopaedia is an ancient and magical tome, or maybe it's just designed to look that way. The book explores the characters and situations that occupy the popular Cartoon Network series. There are few cartoons as imaginative or strange as Adventure Time, in which a boy and his dog fight evil in various forms, including an Ice King, monsters, demons, giants, and the hideous creature known as The Lich.
The graphic novel Spider-Man: New Ways to Die begins like many Spider-Man stories before it. There is a brief explanation of Peter Parker’s dual life as a superhero and a photographer stuck in perpetual poverty, quickly followed up by a battle between Spidey and the newest “Goblin” character, Menace.
However, it quickly becomes clear to the reader that the status quo has been greatly changed for this latest adventure. Parker works for a different newspaper, his former nemesis Eddie Brock is dying of cancer, and Norman Osborn, previously the Green Goblin, is in charge of the Thunderbolts, a team of “hero hunters” out to capture Spider-Man.
Maggie’s new stepfather gives her the creeps. Not only is he short and hairy and definitely not her Dad, but he speaks with a strange accent and spends most of his time in a shed doing who-knows-what. True, it is not his fault that he cannot replace her dead father, and her mother seems to really, really love him, but somehow that only makes worse the Shadows that follow him everywhere—dozens of them that no one else seems to see.
Why We Broke Up is by Daniel Handler and features art by Maira Kalman, and both elements elevate it above your average high school romance novel.
Min has just left a box on Ed's doorstep. The box contains the pieces of evidence of their brief relationship, as well as letters explaining each piece's importance.
Eel’s early morning spent scavenging on the Thames River as a “mud-lark” brought a few things to the surface. There was a nice piece of copper, but he had to give that over to one of the stronger mud-larkers, a kindly blacksmith turned to this low way of making a living. But he did come away with two valuable things—or at least valuable to him. One was a half-drowned cat, thrown into the river by a bully boy. The other was a word of warning from the old blacksmith. Fish-Eye Bill was looking for him again, he said. A year Eel had spent in an easier life, getting his schooling, working two jobs and staying away from places he might be seen by Bill’s crew. It sounded like the makings for serious danger. Though in Deborah Hopkinson’s The Great Trouble, Eel’s problems are only beginning.