The Adventure Time Encyclopaedia is an ancient and magical tome, or maybe it's just designed to look that way. The book explores the characters and situations that occupy the popular Cartoon Network series. There are few cartoons as imaginative or strange as Adventure Time, in which a boy and his dog fight evil in various forms, including an Ice King, monsters, demons, giants, and the hideous creature known as The Lich.
The Ocean at the End of the Lane, by Neil Gaiman, is a touching blend of family drama and otherworldliness. He wrote it for his wife, who does not care so much for extreme fantasy, and so he decided to include many realistic details from his own childhood. But he enriched that beginning with dark and horrific drama, as well as beauty and wisdom, and ultimately gave it an elemental, magical grounding.
Mark Frost’s The Paladin Prophecy, Book 1, is the start of something good. It is not a good day for Will West, though.
In The Wind Singer, by William Nicholson, legends are sometimes true, and schools may teach lies.
Kestrel Hath did not know this when she mouthed off to her teacher and was sent to the back of the room. As soon as they could, Kestrel and her twin brother, Bowman, cut class. This was Kestrel's idea. She was the one to do things. Bowman, on the other hand, could feel things. He felt his sister's anger, and he felt others’ loneliness. So they left the Orange district and headed to the central arena, where the wind singer stood.
Something is stealing the grain in Mrs. Runnery’s granary. It must be weevils, thinks she, as she sets out spiders to eat them. But in the morning, the frightened spiders are clinging to the ceiling, their webs torn. It wasn’t weevils eating the grain. What could it be? The farmers need this grain from Runnery Granary to mill into flour so they can eat in the winter.
This author has had enough wild, true-life experiences to fill an entire shelf of books. She grew up helping her parents run a hotel in a part of Yuma, Arizona where all kinds of shady characters hung out. As a kid, she was brilliant, brave, and very sure of herself. Nancy didn’t care for school much. Indeed, she was dyslexic (and undiagnosed) and failed two grades because of it. But as she got older, she did read all the classics in the hotel library. One day when ditching school, Nancy discovered the cool spaces and amazing stories at the public library. Reading took hold of her and never let go.
In Megan Whalen Turner’s Instead of Three Wishes, mere mortals go up against crafty fey and magical mayhem with only their mundane wits to protect them.
Selene was only trying to help the cantankerous old man across the street. He seemed frozen by passing cars and probably would have been hit were it not for Selene taking him carefully by the arm. She did not realize that that she was escorting elfin royalty.
Discworld, Terry Pratchett’s satirical fantasy series, has entertained lovers of fantasy novels since the publication of its first installment, The Color of Magic, in 1983. Over the course of dozens of novels, the focus of Pratchett’s satire in the series changed. Early entries like The Color of Magic tended to be broad parodies of fantasy and role-playing conventions and characterizations. However, later novels such as Night Watch, Thud, and Unseen Academicals became much more focused on satire of real-world concepts of race, class, and current societal issues. Unseen Academicals is a strong example of the style of the later Discworld installments. On its surface level a novel about a group of wizards trying to win a “football” game, Unseen Academicals is a sprawling satire of modern attitudes towards sports fandom, social class, and the cloistered nature of academe.
Where the Mountain Meets the Moon, by Grace Lin, is a gentle, wondrous Chinese fantasy book for children. Set in a long-ago times, it follows a brave and bright girl named Minli who lives with her parents in a poor farming village. There is barely enough rice to keep them fed and certainly not any for luxuries. Most all the people are downtrodden and worried about their daily lives, but not Minli. She does not like the hard work in the sticky, muddy rice fields, but every evening she can look forward to stories told by her beloved father.
These tales fill her heart and her mind in such a way that she becomes the most radiant and hopeful young girl living near Fruitless Mountain. Indeed, she is so hopeful that when a peddler comes to their village with bowls of lucky goldfish, she takes her small savings to buy one, with high expectations. But when no luck seems to come and her father starts sharing his small supper with the hungry fish, Minli knows she must let it go. Releasing it into the Jade River, a river created according to legend from the body of a grieving dragon, she is surprised when a sweet, high-pitched voice—the goldfish!—offers to help her find her fortune by telling her the way to Never-Ending-Mountain where lives the Old Man of the Moon. The Old Man knows all things, including how her family’s fortune might be changed.
Short stories are a tricky business. When done well, just a few pages of text can offer a tantalizing glimpse of another world, or immerse you in a scenario so familiar it feels claustrophobic. Creating a brief narrative that contains depth and nuance is a significant accomplishment. I’d venture to guess that only a few writers have managed to master the craft. For several years, my dependable favorites have been Ray Bradbury, Raymond Carver, Miranda July, Flannery O’Connor, and Etgar Keret. Since reading Smoke and Mirrors, this list now includes Neil Gaiman.
Smoke and Mirrors brings together a wide variety of Gaiman’s short pieces. In the introduction, Gaiman writes that “Stories are, in one way or another, mirrors. We use them to explain to ourselves how the world works or how it doesn’t work. Like mirrors, stories prepare us for the day to come. They distract us from the things in the darkness.” I’d like to think that most of Gaiman’s stories live up to such lofty ambitions.