He was happy enough to share his dinner with the lanky man as they were both seekers. He sought the beauty of the Wisconsin countryside in the early autumn. The fellow who sat down beside him, his wool shirt buttoned tight though the day was a warm one, sought the relief of his misery in the beginning of The Illustrated Man, a collection of short stories by Ray Bradbury.
At last he stripped off his shirt in the heat.
"…he was a riot of rockets and fountains and people, in such intricate detail and color that you could hear the voices murmuring small and muted, from the crowds that inhabited his body. When his flesh twitched, the tiny mouths flickered, the tiny green-and-gold eyes winked and the tiny hands gestured. There were yellow meadows and blue rivers and mountains and stars and suns and planets spread in a Milky Way across his chest. The people themselves were in twenty or more odd groups upon his arms, shoulders, back, sides, and wrists, as well as on the flat of his stomach. You found them in forests of hair, lurking among a constellation of freckles, or peering from armpit caverns, diamond eyes aglitter. Each seemed intent upon his own activity; each was a separate gallery portrait."
He was an Illustrated Man, he explained tiredly. A witch from the past and future had stitched the glowing colors into his flesh forty years ago. He had wanted it done so he could always find a job at a carnival, but the pictures, all eighteen of them, came with a curse, and ultimately no traveling show would hire him and no man or woman would be his friend.
Junot Diaz's versatility enables him to effortlessly shift from elaborate epics to intimate, micro-level storytelling. Just a few years after his sweeping epic, The Brief Wondrous Life of Oscar Wao, Diaz is back with This is How You Lose Her, a collection of overlapping and intersecting short stories that offer brief, nuanced glimpses of complex characters, emotions, and situations.
Although the stories contained within This is How You Lose Her are arranged in a non-linear sequence, they create a fragmentary portrait of Yunior's life and progression from a young immigrant learning English from Sesame Street to a middle-aged man reflecting on a hollow life and deteriorating body.
Some wishes are traditional – to be the fairest in the land or find a handsome prince. Some are personal – for a family member to get better, to be a doctor, learn the piano, fall in love. Some are never identified as wishes, but are rather the silent longings of the heart. Written by a truly stellar cast of authors with a foreword by Mia Farrow, What You Wish For is a collection of short stories that center on children who wish.
The collection ranges from Meg Cabot’s wry and humorous “The Protectionist” – which starts with the protagonist lamenting that the school bully has taped a note to his sister’s back which reads, Boobies: Get some; to the quietly poignant “Rules for Wishing” by Francisco X. Stork, where a young boy is celebrating his birthday in the foster care system, after his mother gave his sister up for adoption when his father could not control his fists.