The Law Library has a limited number of copies of the excellent booklet, "Understanding Your Domestic Relations Rights in Virginia 2010-2011" to give away to the general public.
Prepared specially for non-lawyers by the Metropolitan Richmond Women's Bar Association, the booklet provides clear and up-to-date answers to many of the most commonly asked questions about adoption, paternity, family violence, divorce, spousal and child support, custody and visitation, property settlements, and etc.
Get your copy by contacting the Law Librarian at 540-372-1144, ext. 238.
James Wallace McGinly visited the Central Rappahannock region several times. Nothing unusual about that -- except that McGinly visited in 1862, 1863 and 1864; he was wearing a blue uniform at the time; and he recorded the details of his visits in a diary.
CRRL has been given a photocopy of that diary, thanks to Edward G. Nix of Illinois. It will be cataloged, and placed in CRRL’s Virginiana Collection.
Steve Harmon is sixteen years old and on trial for murder in Monster by Walter Dean Myers, which takes the reader through the suspenseful trial and the verdict. Steve is a young man who has never been in trouble before. Suddenly, he finds himself in the wrong place at the wrong time. Is he truly guilty or just guilty by association? Can a young man be on trial for having made poor choices?
Steve recounts the events that transpired the night of the robbery at the convenience store. He says he just happened to be there at the moment the robbery and murder took place. But a murder did occur and the prosecution is looking for the guilty party -- and they think they have found it in Steve. The term "monster" is the one used by the prosecutor as she describes Steve and his alleged actions -- but is Steve really a monster or is she just trying to build a case against Steve? When Steve hears this term used to describe himself, he is very disturbed.
It’s been said an army travels on its stomach, and though many of the starving Confederate troops at the war’s end were still willing to fight, ultimately it was a physically broken army returning to their devastated, burned out farms that sounded the death knell of the nascent nation, so contends gastronomical historian Andrew F. Smith in his recent book, Starving the South.
When the war in Iraq started, there were more than 600 animals being kept in public zoos and on private premises in and near Baghdad. Lions and tigers and bears…oh, no; were they safe? Were they being cared for? Were they hurt and in need of medical attention? Were they scared and hungry? Saving the Baghdad Zoo, by Kelly Milner Halls and Major William Sumner, is a wonderful story of the animals and those people who stepped up to the challenge of caring for them.
If you’re in the mood for a harrowing reality check, Neil Postman’s Amusing Ourselves to Death is the antidote to your craving. Postman’s revelatory book was initially published in the 1980s, but his exploration of America’s preoccupation with entertainment is still sharp and pertinent. And it has retained its power to make us re-think the role of technology in our everyday lives.
Throughout Amusing Ourselves to Death, Postman questions how the content of our culture has been radically altered by the emergence of new media. As he states, “our notions of truth and our ideas of intelligence have changed as a result of new media displacing the old.” The assertion that cultural practices and technologies constantly influence and respond to one another might seem like a value neutral observation, but as Postman delves deeper into his analysis, it becomes obvious that he views the shift from the Age of Exposition (text-based communication) to the Age of Show Business (image-based communication) as a profoundly problematic and troubling phenomenon.
This interview airs beginning October 26.
Award winning illustrator-author Ron Miller specializes in science, astronomy, science fiction, and fantasy. Debby Klein visits him in his King George studio to talk about his thirty-odd books and ongoing creative contributions to literature, science, and entertainment on CRRL Presents, a Central Rappahannock Regional Library production.
She was an educated daughter of the privileged class—granddaughter of two of Iraq’s heroes from its pre-Saddam era. A successful journalist and later owner of a printing business, she seemed to live a more charmed life than most of Iraq’s citizens. But as the door of the women’s prison closed behind her, leaving her virtually entombed, she realized that her sense of security had been nothing more than an illusion, and as one prisoner after another was dragged away to be tortured, she understood the true horror that underlay her world. Mayada: Daughter of Iraq: One Woman’s Survival Under Saddam Hussein is her story as shared with fellow writer Jean Sasson.
Libba Bray’s Going Bovine is the story of 16-year-old Cameron who has always dealt with life in a standoff manner, trying to avoid social contact with his peers. Things start to get interesting for him when he begins seeing objects that others seem to miss. While alone at home he hears a noise and discovers a feather, which leads him on a roller coaster of events and introduces him to some unlikely folks.
Cameron’s parents fear that drugs must be a factor so they send him to doctors and psychologists to figure out exactly what’s going on with their son, as he is still seeing things that others can't possibly be seeing. Finally, they find a doctor who unveils the mystery of what’s happening to him--Mad Cow Disease…and he’s going to die.
The first eighteen pages of The Smoothbore Volley That Doomed the Confederacy, by Robert K. Krick, are reprinted here with permission from the author and publisher, Louisiana State University Press, which retains all republication rights. Library copies of The Smoothbore Volley are available for check-out.
Nineteen men in two distinct groups rode forward from the coalescing Confederate lines west of Chancellorsville at about 9:00 P.M. on May 2, 1863. Only seven of the nineteen came back untouched, man or horse. Although one of those nearest the offending musket muzzles, Major General A. P. Hill escaped among the unscathed handful. Lieutenant General Thomas J. “Stonewall” Jackson, among those farthest from the flash point, was one of the five men killed or mortally wounded. The capricious paths of a few dozen one-ounce lead balls caroming off the dense shrubbery of Spotsylvania’s Wilderness that night had much to do with the course of the Civil War.
From every imaginable perspective, the afternoon of May 2 had been a stunning Confederate success of unprecedented magnitude. Lee and Jackson had crafted between them a dazzling tactical initiative that sent Stonewall covertly all the way across the front of a Federal army that outnumbered the southerners by more than two to one. The redoubtable corps commander managed the remarkable march without serious interruption, arrayed his first two divisions in a wide line, and descended upon the Federals like a thunderbolt. Those northerners who rallied bravely against the tide faced an inexorable outflanking by the outriders of Jackson’s line, who stretched far beyond the center of the attack in both directions. In this fashion Jackson routed one Union corps, trapped another out of the line, and left the others shaky, uncertain, and vulnerable to be stampeded.