With these words, the reader is ushered into an isolated gray stone mansion on the windswept Cornish coast, as the second Mrs. Maxim de Winter recalls the chilling events that transpired as she began her new life as the young bride of a husband she barely knew. For in every corner of every room were phantoms of a time dead but not forgotten - a past devotedly preserved by the sinister housekeeper, Mrs. Danvers: a suite immaculate and untouched, clothing laid out and ready to be worn, but not by any of the great house's current occupants. With an eerie presentiment of evil tightening her heart, the second Mrs. de Winter walked in the shadow of her mysterious predecessor, determined to uncover the darkest secrets and shattering truths about Maxim's first wife - the late and hauntingly beautiful Rebecca.
Rebecca is a 1940 American romantic psychological thriller film directed by Alfred Hitchcock. The film stars Laurence Olivier as the brooding, aristocratic widower Maxim de Winter, and Joan Fontaine as the young woman who becomes his second wife, with Judith Anderson and George Sanders in supporting roles. The film is a gothic tale shot in black-and-white. Rebecca won two Academy Awards, Best Picture, and Cinematography, out of a total 11 nominations. Olivier, Fontaine, and Anderson also were Oscar-nominated for their respective roles as were Hitchcock and the screenwriters.
Something off in your Gothic-style mansion? If you're looking for a tale that embraces that haunting you-may-not-be-alone feeling, check out the suggestions on this list.
A contemporary retelling of Daphne du Maurier's gripping and iconic novel Rebecca, Alena tells the story of a bright young curator who finds herself haunted by the legacy of her predecessor at a small, cutting-edge art museum on Cape Cod.
Abandoned as a tiny girl on a ship headed for Australia, Nell Andrews sets out on a journey to England to try to trace her story, to find her real identity. Her quest leads her to Blackhurst Manor on the Cornish coast and the secrets of the doomed Mountrachet family. But it is not until her granddaughter, Cassandra, takes up the search after Nell's death that all the pieces of the puzzle are assembled.
One postwar summer in his home of rural Warwickshire, Dr. Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners - mother, son, and daughter - are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.
When puritanical artist Henry Chester sees delicate child beauty Effie, he makes her his favorite model and, before long, his bride. But Henry, volatile and repressed, is in love with an ideal. Passive, docile, and asexual, the woman he projects onto Effie is far from the woman she really is. And when Effie begins to discover the murderous depths of Henry's hypocrisy, her latent passion will rise to the surface.
One summer a young governess is sent to take charge of Miles and Flora, two beautiful, charming orphans living in a country house. But silence covers their past. Then the servants reappear who, before they died, had looked after the children. As winter closes in, the young governess struggles to keep her charges from the unnatural influences which they seem strangely to desire.